视频简介
牧场主渡海千造与儿子博正有一个美好的梦，就是要造就一匹马，并在大马赛中夺魁。不久，牧场里平安地产下一匹带有名马哥德鲁菲血统的幼马。起名为“奥拉希翁”，意为祝福。工业社社长平八郎正为两件事烦恼：一是公司的危机，另一个是女儿久美子还不知道自己有个同父异母的弟弟阿诚。阿诚这时因肾脏发育不全，正需要移植父亲的肾脏。和具公司用三千万日元购买了“奥拉希翁”，并托梦于这匹马。久美子成了这匹马的马主之后，去看望了已相认的弟弟。不久，“奥拉希翁”，被送到大牧场去接受正规训练。马在训练中脚部受伤，正要被取消种子马选手的紧要关头，它竟奇迹般地恢复了健康。这匹马决赛中表现出色，取得了胜利。阿诚未见到“奥拉希翁”的雄姿就死去了。和具公司被别人收买，渡海因胃癌在决赛前已经咽气。唯有“奥拉希翁”意外地获得了决赛的胜利。。追求大量曝光及真相的报道成为了火爆话题，四期半报道的总销售额已经超过了50万部，数字版的点击数也一骑绝尘。这样的《周刊追求》又推出了电饭煲失踪事件的特辑——深挖在意的登场人物背景的 《 周刊追求追加》。随着精明的编辑长河村先生率领的 《 周刊追求》编辑部的取材，逐渐明朗的那个怪人的真面目到底是？也许哪里有解开谜团的提示哦！那么你又会选择谁呢？。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。